|1||Subterranean Homesick Alien||4:27|
|6||Exit Music (For A Film)||4:24|
|7||Climbing Up The Walls||4:45|
|NODATA 02, 7243 8 55229 1 8||Radiohead||OK Computer (2xLP, Album, Gat)||Parlophone, Parlophone||NODATA 02, 7243 8 55229 1 8||UK||1997|
|ABS 104022||Radiohead||OK Computer + 6 Bonus Tracks! (CD, Album, Unofficial)||Not On Label (Radiohead)||ABS 104022||Russia||Unknown|
|7 24385 5229 2 5||Radiohead||OK Computer (CD, Album)||EMI||7 24385 5229 2 5||Taiwan||1997|
|EKPD-0610||Radiohead||OK Computer (CD, Album)||EMI (Korea)||EKPD-0610||South Korea||1997|
|none||Radiohead||OK Computer + 6 Bonus Tracks! (CDr, Album, Unofficial)||Not On Label (Radiohead)||none||Unknown|
- Arranged By [Strings] – Radiohead
- Artwork [Pictures] – Stanley Donwood, The White Chocolate Farm
- Artwork [Video Realization By] – Dilly Gent
- Booking [Performing Monkey Bookings Taken By] – Charlie Myatt
- Booking [Performing Monkey Bookings Taken For] – ITB
- Conductor [Strings] – Nick Ingman
- Design [Additional Complicated Artwork Skills Supplied @ Hubdesign] – Matt Bale
- Design [Additional Complicated Artwork Skills Supplied @ The Whole Hog] – Mr. Barry
- Engineer [Studio Assistant] – Chris Scard, Gerard Navarro, Jon Bailey
- Lacquer Cut By – Rm
- Legal [Artistic Freedom In The Market Place Maintained By] – Keith Wozencroft, Tony Wadsworth
- Legal [Artistic Freedom In The Market Place Maintained With] – Perry Watts-Russell
- Management [Office Run By] – Julie Calland
- Management [Patiently Managed By] – Brian Message, Bryce Edge, Chris Hufford, Courtyard
- Management [Tour Manager] – Tim Greaves
- Mastered By – Chris'King Fader'Blair
- Mixed By [Audio Levels Balanced By] – Nigel Godrich
- Music By – Colin Greenwood, Ed O'Brien, Jonny Greenwood, Phil Selway, Thom Yorke
- Other [Cash Dealings & Other Assistance] – Big Al
- Other [Grub By] – Grub Of Cat And Mouse
- Other [Performance Sound Enhancement For The Audience Balanced By] – Jim Warren
- Other [Sound Reference & Physics Teaching By] – Tree
- Other [Web Site Maintained(?) By] – Stanley Donwood
- Production Manager [Lighting, Stage Design, Smoke & Production] – Andi Watson
- Public Relations [International Ambassador] – Carol Baxter
- Public Relations [Media Handling By] – Caffy St Luce
- Recorded By [Committed To Tape By] – Nigel Godrich
- Recorded By [Committed To Tape With] – Radiohead
- Technician [Additional Guitar Stuff] – Adam Cummings
- Technician [Guitar Maintenance], Other [Deck Chairs] – Duncan Swift
- Technician [Instrument Modifications], Stage Manager, Other [Shifting Into Difficult Places] – Plank
Tracks are numbered sequentially.
℗1997 The copyright in this sound recording is owned by EMI Records Ltd. ©1997 EMI Records Ltd.
audio recordings made using the canned applause? mobile.
guitars by Rickenbacker and Plank, Drums by Premier, cymbals by Zildjan, all other instruments at retail price.
mastered at Abbey Road.
audio fixing and dubbing done at Mayfair, Abbey Road, Air Lyndhurst, Courtyard and The Church using the wonders of the digital and analogue age.
all songs published by Warner Chappell Ltd. lyrics used by kind permission even though we wrote them.
sample from Flight of the Condor used with permission.
we hope you are ok. thankyou for listening.
- Barcode: 724385522918
- Matrix / Runout (LP 1 labels): (7243 8 57331 1 6)
- Matrix / Runout (LP 2 labels): (7243 8 57332 1 5)
- Matrix / Runout (Side A [eeny] runouts, etched): S-66064 Re1 0724385522918-A G2 Rm
- Matrix / Runout (Side B [meeny] runouts, etched): S-66065 0724385522918-B G1 Rm
- Matrix / Runout (Side C [miney] runouts, etched): S-66066 0724385522918-C G1 Rm
- Matrix / Runout (Side D [mo] runouts, etched): S-66067 Re1 0724385522918-D G2 Rm
- Matrix / Runout (All sides' runouts, stamped): MASTERED BY CAPITOL
- Phonographic Copyright (p) – EMI Records Ltd.
- Copyright (c) – EMI Records Ltd.
- Recorded By – Canned Applause? Mobile
- Mastered At – Abbey Road Studios
- Recorded At – Mayfair Studios
- Recorded At – Abbey Road Studios
- Recorded At – Air Lyndhurst Hall
- Recorded At – Courtyard Studio
- Recorded At – The Church, London
- Designed At – Hubdesign
- Designed At – The Whole Hog
- Published By – Warner Chappell Ltd.
- Manufactured By – Capitol Records, LLC
- Mastered At – Capitol Mastering
- Pressed By – Rainbo Records – S-66064
- Pressed By – Rainbo Records – S-66065
- Pressed By – Rainbo Records – S-66066
- Pressed By – Rainbo Records – S-66067
Happy 20 years, Ok Computer Hammerstein Ballroom, New York, NY, USA December 19th, 1997 Airbag 00:00 Paranoid Android 04:42 Subterranean Homesick Alien Computer is the third studio album by English rock band Radiohead, released on 21 May 1997 on EMI subsidiaries Parlophone and Capitol Records. The members of Radiohead self-produced the album with Nigel Godrich, an arrangement they have used for their subsequent albums. Other than the song Lucky, recorded in 1995, Radiohead recorded OK Computer in Oxfordshire and Bath between 1996 and early 1997, mostly in the historic mansion St Catherine's Court. The band distanced themselves from the guitar. Формируйте собственную коллекцию записей Radiohead. NODATA 02. OK Computer 2xLP, Album, Promo, WLbl. Продать эту версию. NODATA 02, 7243 8 55229 1 8. OK Computer 2xLP, Album, RP, Gat. OK Computer. Released May 21, 1997. OK Computer Tracklist. Airbag Lyrics. About OK Computer. Despite not having a hit anywhere near the size of Creep , Radioheads previous album The Bends 1995 was successful enough for their record company EMI to give them complete creative control. The result was 1997s OK Computer, which was designed as a deliberate reaction against the grunge movement of the 1990s. Then new-ish engineer and future Radiohead mainstay Nigel Godrich told Rolling Stone of the recording sessions: They were the band of my dreams. There were no constraints. Twenty years on, Radiohead revisit their 1997 masterpiece with a deluxe reissue. The bonus material includes familiar B-sides and a few previously unheard recordings that hint at an intriguing road not taken. As they regrouped to figure out what their third album might be, Radiohead faced, if not a crossroads, then an unusually open stretch of road. They had toured with Alanis Morissette in support of their second LP, 1995's The Bends. They had appeared, pale and blinking, before tanned and greased hordes on MTV Spring Break, wailing the chorus to a massive runaway hit that was now fading in their rearview. OK Computer , however, is a suite of music that redefined the band's sound, a trick they would repeat 3 years later, and works as both a brilliant album, but also as a truly remarkable set of individual songs. The songs: 1. Let Down. Although many Radiohead fans pick this as a highlight of the album, I've never understood why, as I think it's one of the weakest songs on here. The vocals are some of the least understandable on the album, although they are far darker, with lines such as Don't talk sentimental, it always ends up drivel coming over the top of another more cheerful musical backing. Radiohead's 'OK Computer' has topped the Ultimate 90s Album listener poll. The 1997 album - which reached number one in the UK Albums Chart in 1997 and won Best Alternative Music Album at the Grammy Awards in 1998 - took the top spot in the new poll for Fearne Cotton's 'Sounds of the 90s' on BBC Radio 2 and BBC Sounds. Fearne said: It's been fascinating to look back at some of the seminal albums of the 90s and see which have stood the test of time. The nation has spoken and Radiohead are victorious. I think this album, 'OK Computer'. Genre: Alternative Rock. OK Computer is the album that establishes Radiohead as one of the most inventive and rewarding guitar rock bands of the '90s. Full Review. Radiohead OK Computer. Release date: 16th June 1997. The release of their second studio album, The Bends, in 1995 saw Radiohead cracking the top 5 in the UK chart, playing to sold out crowds in the UK and Japan, but still not making an impression on that ever-important US market. The five lads from Oxford Thom Yorke, Jonny Greenwood, Colin Greenwood, Phil Selway and Ed OBrien made six promotional trips to America, but still The Bends stalled there at number 88