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Triple XXX Girls - Abstract Eyes Album

Triple XXX Girls - Abstract Eyes Album Performer: Triple XXX Girls
Album: Abstract Eyes
Country: US
Released: 1982
Style: New Wave
Label: Red Hair Records
Genre: Rock
Catalog #: NR14039
Size FLAC: 2029 mb.
Size MP3: 2915 mb.
Rating: 4.9/5
Votes: 112
Record Source: Vinyl, 7", 45 RPM




Tracklist


1Abstract Eyes
Written By – D. Martin
3:00
2Apeshit
Written By – M. Knapp
3:07


Credits


  • BassWill Myrex
  • Drums, CongasSean Moore
  • EngineerJim Morris
  • Guitar, BellsD. Martin
  • Noises [Animal]TXG (tracks: Apeshit)
  • Photography – Alice Armstrong
  • ProducerTXG
  • Vocals, Horn, PercussionMike Knapp


Notes


Oversized envelope-style sleeve.
Second release by Tampa new wave band.

On back of sleeve:
"Information:
8703 Beverly Drive
Temple Terrace, FL 33617
813-985-0509"
was Mike Knapp's home address and telephone number.


Barcodes


  • Matrix / Runout (Side A Hand Etched): NR-14039A
  • Barcode (Side B Hand Etched): NR-14039B


Companies


  • Manufactured By – Nashville Record Productions – NR14039
  • Recorded At – Morrisound Studios
  • Copyright (c) – X Music


Video



Album


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On the recording of "Apeshit," it was deemed desirable to include background animal noises faked by the band, and to add in Knapp's 'elephant-trumpet' playing layered above (or behind, depending on your sense of mix topography). Both Jim Morris and Rick (asst. engineer) helped out. The sole vocal contribution by Myrex to the majority of the animal noises heard is that of the clucking chicken.
Lunardeed, that is a very gentle and fair way of describing the bass playing of Myrex. The truth is, he translated from guitar to bass mighty rapidly due to band necessity. This was his first studio recording, and the bass playing is quite flawed. As Jim Morris mentioned to Myrex in the studio, "you're leading." Jim made Myrex a special mix of Abstract Eyes (in my possession) that emphasized the bass, and clearly it (the bass playing) is of mediocre quality overall, though many of the timing flaws get "lost in the mix" to the untrained ear. Myrex laid his track down in two takes -- which was recorded over Poole's original bass track and which Myrex strenuously objected to as Poole's performance was far superior, but was pushed to do so by the band just the same.

On a different, but related note, there was very limited time to get the recording completed and within the allotted time budget. That completed, there was still about a 1/2 hour remaining. Myrex asked the other band members if he might be indulged in a unique idea for the song, and they agreed that this would be OK so long as it fell within the remaining time. Myrex went to Jim Morris and suggested that the 24 track tape be flipped over so that it would play in reverse. Then, at what would sound like the trailing end of each utterance of "Abstract Eyes" (actually, the beginning as this is now playing backwards), to push one of the effect sends through the pitch-shifting harmonizer followed by a short delay, this brought back into a separate mixer channel, and this pushed back to this same effect loop. The idea in Myrex's mind was to have a series of echoes that each descended in pitch. In practice, the delay was far shorter than an echo, but sounded interesting in how the initial syllable of the vocalization descended in pitch into a murky, distorted noise. The effect was recorded onto a separate track. The tape was taken off, remounted normally, and the song played. The band gave slightly-more-positive-than-neutral nods as to the effect, which had this rumble ascending into "Abstract Eyes." Later thoughts expressed by band members were that it was an interesting idea that added a lot to the recording, but which could not possibly be pulled off live, which is true.

Myrex had previous experience with making numerous, simple 2- and 4-channel cassette recordings of his own (and with the Tampa band, "Your Relatives") where 'backwards effects' were prominently used to advantage.
Second disc from the XXX Girls shows a marked improvement in songwriting and recording over all. Laced with humor throughout as on the first disc. Vocals are improved but might irritate some sensitive ears. Bass is less smooth from the previous disc disc however interesting and angular. Nice chorused guitar and drums flesh out the songs nicely.